Venice: 1510 (25 January). 8vo. in fours. Collation: A-Q4, COMPLETE. 64 ff. (some signatures written in contemporary MS, several erroneously, neat modern foliation in pencil). Paper size: 155 x 105. Watermarks: Northern Italy, ca. 1480-1520 (see below). Bound in late 18th century Italian sprinkled ochre boards, upper cover with title..... More

Paris: A. du Brueil, 1611. 12mo. [6], 268 (misnumbered), [2] leaves = 276 ff, COMPLETE. Bound in 19th century calf, covers panelled in blind with blind-stamped floral tool on corners, spine with two raised bands, title lettered in gilt with blind-stamped tooling above and below bands, usual wear and tear..... More

Boston: Roberts Brothers, 1891. First Edition. 8vo. 1 blank leaf, 1 f. (recto blank, verso with publisher's advertisement announcing prices for the First and Second series), 2 ff. facsimile of Dickinson's manuscript of "Renunciation" which appeared in the First Series), 230 pp., 1 blank leaf. Original grey cloth, gilt, top..... More

Frankfurt: 1925. Hardcover. Calligraphic manuscript on paper: 10 pages, including an original watercolor by the artist, and bound by her. Written on Flinsche Paper (Frankfurt). Large "modernist" watercolor illustration on first leaf (evidence of deep pencil scratch in outer margin), on the recto a manuscript dedication (dated June 1925) being..... More

London: Printed by A.M. for C. Bates, at the Sun and Bible (etc.), 1710 (circa). Quarto (189 x 155 mm). 79 pp. + 1 p. ads. Illustrated with 16 woodcut illustrations (4 of the woodblocks are repeated). Last line of imprint cropped with loss of the words: "Spur-street, and by..... More

Stanford [New York]: Printed and Sold by Daniel Lawrence, 1804. First Edition. 16mo. 12 pp. Extracted from a binding, later wrappers (at one time the wrappers had been affixed to the pamphlet). Foxing and age toning as is true with almost all American imprints of this date. Preserved in a...... More

Boston: Little, Brown & Co., 1906. FIRST EDITION. Hardcover. 8vo. vi, 319, [1] pp. + 4 pp. advertisements. With a frontispiece + 1 plate by John Cameron. Bound in original green publisher's cloth designed by the Decorative Designers firm (signed with their interlocking "DD" monogram, the second D facing left);..... More

Charlottesville, VA: Bibliographic Society of the University of Virginia, 1952. First Edition. Softcover. 4to. (28 cm). 14 pp. Original printed wrappers, stapled (front cover detached and partially defective). Mimeographed typescript. Preserved in a mylar L-Sleeve. Very early account of the then-neglected field of Southern Amateur Fiction, still valuable. The author..... More

Seattle (et al.): 1912-1925. 14 vols., large 4to., ca. 29 cm (tall) x 22 cm (wide) x 36 cm (linear), mostly in 3-hole side-stiched black leatherette covers, preserved in very good condition. Very large and interesting literary archive of typescript stories and novels by "El Comancho," a very popular author..... More

New York: Charles Wells, 1833. Hardcover. N.d. (ca. 1833). 16mo. [2], xiv, [3], 14-227, [4], 230-328, [1], iv-x pp. Contemporary beige calf (by Charles Wells of New York?) elaborately gilt, a.e.g. Front free endpaper excised, binding with some minor refurbishment. Bound by Charles Well of New York (?) ¶ Charles..... More

New York: Vantage Press, 1977. Hardcover. 8vo. 85, [1] pp. With 43 black and white macabre plates by the author. Original black cloth, original dust wrapper illustrated by the author. ¶ First and only appearance of these curious quatrains (ballad stanzas and clerihews) written by an otherwise unknown American author..... More

London: 1632. 106 pp. Collation: aa-hh6, ii5 (sic. cc signed "bb"). Text printed in two columns. One column of fol. gg4 (p. 79/80) in Titus Andronicus with 4.5" x 4" facsimile, affecting 24 lines of text and the running title of the play, extended into upper blank margin. Some occasional..... More

London: Printed by H[umphrey] L[ownes] for Mathew Lownes, 1611-1613 (i.e. 1615?). First Collected Edition. Folio in 6s (278 x 180 mm). COMPLETE. Bound by Zaehnsdorf in 20th century brown morocco, a.e.g. (corners a bit bumped, rubbing to joints). Outer margins of title-page and and A1 neatly repaired and restored, title..... More